Hello and welcome back to the latest edition of 7080: GenX Pop! I hope you are having a great summer! Today, we’re going to discuss children’s educational programming.
You can thank the Rolling Stones for the existence of Schoolhouse Rock!
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I'm very pleased that Luna Station Quarterly has published my short story "Homoncula." The cover art for this issue is gorgeous!
Here's more about LSQ: "The ongoing mission of Luna Station Quarterly is to display the vast and varied talents of female-identified speculative fiction writers." To get your copy, visit LSQ. I'm pleased to have two poems published by Appalachia Bare. They are entitled "Powell Valley Scenic Overlook" and "Revelation." Read them here.
Appalachia Bare's goal "is to offer a place where Appalachia is revealed and uncovered." The chief editor is Delonda Anderson and the associate editor is Edward Francisco. One summer afternoon, when I was about 10 years old, I dug a hole behind my grandmother’s house, tossed in a comic book, and covered it with dirt. Why?
Who wins in a Brady Bunch-Partridge Family Death Match? Let's figure it out.
Today, let’s talk about the GenX joy of getting a driver’s license. If you enjoy this essay, please tell a friend, share it, and subscribe to 7080: GenX Pop on LinkedIn! Thanks.
According to Statista, via the Federal Highway Administration, the percentage of teens getting driver’s licenses today is significantly lower than that of Gen X when they were teens. In 1983, 46.2% of sixteen-year-olds had licenses; in 2018, only 25.6% did. In 1983, 80.4% of eighteen-year-olds got their licenses, while only 60.9% did in 2018. What’s happening? Today, let’s rewind time and examine a significant cultural touchstone in GenX’s life: the VHS cassette and video stores.
Before 1977, the only way to watch a movie was in a theater, at a drive-in, or when a TV network aired it. What did that mean? Sometimes, people saw a movie one time, and that was it. They never watched it again. Then, along came JVC. Next week, we’ll discuss what it took for GenX teenagers to look good: a suntan, some Sun-In, Stridex, and lip smackers. Today, let’s talk about how GenXers lived to adulthood: no helmets, no seatbelts, no problem.
Today, let’s talk about the art of music videos and the artists that starred in them. I’ll be talking exclusively about music videos of the 1980s. While there were some great videos in the nineties, MTV started the steep slide downhill as it focused more on reality shows and game shows.
Read this essay to the end to see a list of my 25 favorite eighties music videos. August 1, 1981. “Ladies and gentlemen, rock and roll.” With that simple statement, MTV launched into GenX hearts and pop culture history.
Next time, we’ll discuss MTV breakout stars and history-making videos. Today, let’s begin at the beginning. How did MTV come to life? You could say it was the brainchild of a bunch of middle-aged white guys looking to make money by injecting new life into the floundering music business. Today, let’s remember some of the ways GenXers consumed music in the 1970s. If you enjoy this essay, tell your friends!
When we weren’t listening to 8-track tapes or vinyl records (later “re-discovered” by hipsters), we tuned in to AM/FM radio, often on tiny transistor radios or stereos housed in gigantic wooden cabinets in our living rooms. Beyond that, we found music on television. Let’s talk about child’s play! No, not the movie. I mean actual playtime.
I think it’s safe to say that children growing up in the 1940s through the 1980s enjoyed less supervised playtime than kids in recent generations, as well as more outdoor play and physical activity. However, all the generations have had their playtime influenced by media, including radio, television, movies, and comic books. Media influence became more pervasive in the 1970s and 1980s as advertisers targeted children. Breaker, breaker. This is 7080: GenX Pop. Have you got your ears on?
If you’re a GenXer, you probably remember the ubiquity of CB radio culture in 1970s media. Back then, you could find it in music, movies, television, and even children’s cartoons. CB slang permeated everyday conversation, and some of it remains embedded in our language today. Generation X has been called angry, disaffected, sullen, and cynical. That is a blanket criticism that is not wholly true nor completely false. Some GenXers, including myself, do tend to be cynical. Why?
I blame sea-monkeys. Long before Millenials met Jambi the Genie and Captain Carl in Pee-Wee’s Playhouse, GenXers were learning words, numbers, and good citizenship from a bunch of talking gloves. Let’s talk about educational television of the 1970s, including Captain Kangaroo, Sesame Street, Mister Rogers’ Neighborhood, The Electric Company, and ZOOM.
Nobody wants to be pigeonholed, but the truth is, if you grew up in the 1970s and were a teenager in the 1980s, you will share some pop culture references with your generation. Generational "experts" usually define Generation X as the group of people who were born between 1965 and 1980. GenXers have been called the MTV generation, latchkey kids, slackers, baby busters, and other nicknames. I prefer to think of us as the cool kids.
I created this 7080 newsletter to discuss GenX pop culture. It’s a big world, and I’m a tiny part of it, so I’ll address what I know best: American pop culture of the seventies and eighties. I’ll examine television, movies, books, comic books, and music, hopefully within the context of what was happening at the time. You’ll find all of the posts on LinkedIn.
Click on the link to listen to us discuss grieving, fear of being forgotten, Appalachian culture, and writing: https://archive.org/details/PoetsAndWriters/Neva+Bryan.mp3
Here's the audio for my interview with Henry McCarthy on Poets and Writers at WEHC.
Please forgive my lapse in memory where I attributed Even Cowgirls Get the Blues to Tom Wolfe instead of Tom Robbins. Audio: https://archive.org/details/NevaBryanPart3
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June 2024
AuthorNeva Bryan has published over 70 short stories, poems, and essays in literary journals, online magazines, and anthologies. She lives in the Virginia mountains with her husband and their dog. She also writes a series of essays about GenX life in the 1970s and 1980s. |